![]() She also is what we refer to as frustrated. "Sometimes the children think she's a very mean witch, and I expect she does seem that way. "When I had the chance to do this, I was very, very happy about it," Hamilton told Rogers. Rogers," Hamilton plays herself and discusses what it was like playing the witch. Hamilton, who died in May 1985, also reprised her role as the witch in television shows like "Mr. ![]() "I agree that this was just such a great loss to be gone for so long, especially for Margaret Hamilton. She was a real life villain, and one of the only kid friendly movies kids could watch," the commenter wrote. "People forget the type of exposure kids had to 'scary things' then compared to today. Many said they did not find the episode to be very frightening, but one commenter reminded others that young children in the 1970s had more limited exposure to media than young people do now. Minnick could not immediately be reached for comment. The newest upload of the episode was posted Saturday by YouTube user Mike Minnick. The AV Club reported that bootleg versions of the episode would be posted to social media from time to time but that either they would be removed or they were of extremely low quality.Īlthough it never re-aired on television, the AV Club reported, the episode is preserved in the Library of Congress. Sesame Workshop did not immediately respond to a request for comment about the episode’s appearing on social media. Sesame Workshop was reportedly inundated with complaints from parents about the episode, and it never aired on television again, according to the AV Club. The intent of the episode appears to be to teach children how to overcome their fears, as well as “the value of planning by creating and implementing methods of retrieving the broom,” Muppet Wiki writes. 10, 1976, during the seventh season of "Sesame Street," according to the Muppet fan archive Muppet Wiki. We sat down with Rosemarie Truglio, the senior vice president of curriculum and content, and chatted about the show’s early days, why Cookie Monster now likes veggies, and what drives a show for little kids to take on such big issues.The "lost" episode aired Feb. The makers of Sesame Street were unpersuaded-and 50 years of history has vindicated them. All along the way, the show has faced down hand-wringers who insisted that young kids couldn’t handle any of it. ![]() Only a year ago, Sesame Street in Communities debuted a 6-year-old Muppet with unruly tassels of yellow hair whose mother is battling addiction. Long before the issues were addressed candidly on adult TV, Sesame Street was tackling racism, home eviction, neurodiversity, and disability with its audience of toddlers. Now in its 50th year, Sesame Street has remained astonishingly, resolutely inclusive. The original target audience, reported The New York Times, was a “4-year-old, inner-city, black youngster,” and in between its charming, mainstream skits on literacy and numeracy, Sesame Street felt by turns avant-garde, iconoclastic, and revolutionary. ![]() The show was big-city urban, gritty, unafraid of controversy, sometimes psychedelic, and most alarmingly to some of its earliest viewers, racially integrated-and proud of it. But from the moment it was first conceived in a 1967 report presented by its founder, Joan Ganz Cooney, Sesame Street quietly harbored larger ambitions.īorn at the tail end of the 1960s, Sesame Street evoked a world that was grounded in a radical, even utopian, vision. In its inaugural seasons, episodes dedicated to the letter n or the number 5 reflected the zeal of its educational mission and its laser-like focus on pedagogy. It all started with a controversial bet that young kids could actually learn from television. ![]()
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